Video editing, DaVinci Resolve, tools and AI

You send the footage, references and project brief. I review the material, define the editing scope, build the first version in DaVinci Resolve and then refine sound, color, titles, graphics and delivery around focused feedback.

A short project description, approximate footage volume, expected final duration, target platform, references and deadline are usually enough for an initial estimate.

It depends on footage volume, graphics, audio cleanup and the number of output versions. A simple edit may take a few days; a larger YouTube episode, podcast or graphics-heavy project normally takes longer.

The revision process is agreed before the project starts. Focused revision rounds are used to calibrate the edit rather than making unlimited open-ended changes.

Yes, when required. Project files, media organization, fonts and additional assets can be included in the scope if you need an editable production package.

Yes. An NDA or project agreement can be arranged for confidential client material.

Yes. The workflow can include subtitles, lower thirds, callouts, infographics, Fusion graphics and reusable visual elements designed around the project style.

Yes. Fusion and Motion Engine can be used for animated explainers, interface scenes, diagrams, 3D elements and more graphic-heavy sequences when the content needs them.

Yes. Titles, lower thirds, transitions, Fusion compositions and production rules can be standardized for recurring content.

Yes. Live 1-on-1 training covers editing, audio, color, titles, Fusion, exporting and workflow organization around real production tasks.

Live individual training is currently available in Russian. Written text lessons are available now, while live individual sessions are still delivered in Russian.

Yes. A beginner can start from project setup and first edits; experienced editors can focus on Fusion, automation, templates and production optimization.

Often yes. A repeatable process can be broken down into templates, scripts, naming rules, timeline actions or dedicated tools that reduce manual work.

Yes. The current catalog includes subtitle, censorship and color-related utilities, while additional automation is developed for internal production workflows.

Yes. Project structure, graphics, export presets, review rules and repeated editing actions can be turned into a more predictable production system.

Yes, but mainly as an accelerator for analysis, transcription, subtitles, production preparation and repetitive operations. Final editorial decisions remain human-reviewed.

Lora AI is a long-term R&D project that connects video understanding, editing automation, Motion Engine and YouTube production research into a broader AI-assisted workflow.

If the workflow contains repeatable tasks, it can usually be audited and partially automated with scripts, tools or AI-assisted steps.