- Windows 10 x64
- 8 GB RAM
- 2 GB free disk space
- DaVinci Resolve Studio 18–21
- SSD recommended
Guide • AutoCvetocor
Install and use AutoCvetocor
AutoCvetocor automates a technical first pass: it helps normalize footage toward a Rec.709 baseline, analyzes clips and creates a starting LUT. Treat the result as a baseline, not a replacement for final manual grading.
Before installation
System requirements
AutoCvetocor is currently free and does not require a license key. A DaVinci Resolve Studio workflow is used to review and refine the result.
- Windows 11 x64
- 16 GB RAM
- SSD storage
- A current DaVinci Resolve Studio version
- A calibrated or predictable display for final color review
Installation
Set up AutoCvetocor
Download the installer
Save AutocvetocorSetup.exe to your computer. The current version is free and does not require a separate license key.
Run the installer
Launch it as administrator and confirm the Windows system prompt if one appears.
Keep the recommended settings
For the first installation, keep the standard path and settings to simplify updates and troubleshooting.
Run a test clip
Before using it on a large project, process one representative clip and compare the result with the source.
First run
Build a clean technical baseline
Work on a duplicated project or timeline version so you can always compare the automatic first pass against the original footage.
Prepare the footage
Collect the clips that need a consistent technical starting point and verify the project's color-management settings.
Run analysis
AutoCvetocor evaluates the image and prepares a technical base correction.
Use the starting LUT
Treat the generated LUT as a technical baseline for further correction rather than a finished creative grade.
Review in DaVinci Resolve
Compare before/after, inspect skin tones, highlights, shadows and scopes, then make manual corrections where needed.
Workflow
Technical first-pass pipeline
The goal is to reach a predictable baseline faster so the editor or colorist can spend more time on manual refinement and creative grading.
Result
How the color workflow changes
- •repeat technical base adjustments clip by clip
- •spend time finding a starting point
- •manually normalize routine footage
- •lose time before creative grading begins
- •a repeatable automated first pass
- •faster Rec.709 normalization
- •a starting LUT for further work
- •more time for manual QC and creative grading
AutoCvetocor does not replace a colorist and cannot guarantee a perfect result for every source. Manually review scopes, skin tones, exposure and difficult lighting conditions.
FAQ
Common questions
Yes. The current version is distributed for free and does not require a separate license key.
No. The tool creates a technical baseline. Final creative grading and difficult shots still require manual review.
It provides a more predictable starting point for standard SDR content and further correction. The exact workflow still depends on your source footage and project color management.
Do not assume that one LUT is universal. Always inspect clips individually, especially when cameras, picture profiles or lighting conditions differ.
The current product page targets DaVinci Resolve Studio 18–21 and a Color/Fusion production workflow.
Review exposure, contrast, white balance, skin tones, highlight and shadow retention, and scopes before moving into creative grading.
Support
If the result looks wrong
Include your Windows, DaVinci Resolve and AutoCvetocor versions, source camera/profile, project color-management settings, and before/after plus scopes screenshots when requesting help.

