Depth
Sets the processing/output precision.
Log-to-linear and linear-to-log conversion
Converts imagery between logarithmic and linear representations with selectable log profiles, levels, gamma and soft clipping.
Converts imagery between logarithmic and linear representations with selectable log profiles, levels, gamma and soft clipping.
Overview
Converts imagery between logarithmic and linear representations with selectable log profiles, levels, gamma and soft clipping.
Think of CineonLog as a technical gateway between log-encoded footage and the linear image math often preferred for compositing.
Think of CineonLog as a technical gateway between log-encoded footage and the linear image math often preferred for compositing.
Flow anatomy
The port structure shows how this node fits into a Fusion graph.
Source image to process.
The processed result from this node.
Inspector
Start with these controls before reaching for more complicated workarounds.
Sets the processing/output precision.
Chooses Log to Lin or Lin to Log.
Selects the relevant log curve such as Cineon, ARRI LogC, BMD Film, S-Log, V-Log or DaVinci Intermediate.
Links the RGB channel controls so they change together.
Controls black and white conversion levels.
Softens highlight clipping through the conversion.
Adjusts the source film/log gamma model.
Controls the conversion response.
Allows an external conversion table when required.
Practical setup
Identify the source log curve.
Choose Log to Lin before linear-light compositing or Lin to Log for the return path.
Set the correct Log Type.
Check levels and highlight knee.
Verify the round trip with scopes and a bypass comparison.
Examples
Convert log footage before light-based effects.
Normalize a camera log plate before grading.
Troubleshooting
Production notes
Related nodes