← Fusion node reference
Color ManagementAdvanced

ACESTransform

ACES input/output color transform

Converts imagery between ACES transforms and display spaces while optionally applying gamut compression and premultiplied-alpha protection.

ACESTransform
DaVinci Resolve · Fusion

Converts imagery between ACES transforms and display spaces while optionally applying gamut compression and premultiplied-alpha protection.

Overview

What ACESTransform does

Converts imagery between ACES transforms and display spaces while optionally applying gamut compression and premultiplied-alpha protection.

Treat ACESTransform as a color-language translator: Input Transform tells Fusion what the source means, Output Transform defines the destination, and gamut compression keeps extreme colors inside a usable range.

Mental model

Treat ACESTransform as a color-language translator: Input Transform tells Fusion what the source means, Output Transform defines the destination, and gamut compression keeps extreme colors inside a usable range.

Common uses

Convert camera log material into an ACES pipeline
Output ACES material to Rec.709, sRGB, Display P3 or HDR
Keep mixed sources consistent in a managed pipeline
Compress extreme saturated colors before display output
Protect premultiplied graphics during color conversion

Flow anatomy

Inputs & outputs

The port structure shows how this node fits into a Fusion graph.

Input

Source image for the operation.

ACESTransform
Fusion node

Output

The processed result from this node.

Inspector

Important parameters

Start with these controls before reaching for more complicated workarounds.

ACES Version

Selects the ACES standard version used by the transform.

Input Transform

Defines the source camera/log/display transform entering ACES.

Output Transform

Chooses the target display or working transform.

Gamut Compress Type

Controls how out-of-gamut colors are compressed.

Pre-Divide / Post-Multiply

Temporarily unpremultiplies alpha before color math and premultiplies it again afterward.

Practical setup

A reliable workflow

  1. 1

    Confirm the actual source color space or camera log profile.

  2. 2

    Choose the ACES version used by the project.

  3. 3

    Set the matching Input Transform.

  4. 4

    Choose the required Output Transform.

  5. 5

    Enable gamut compression only when saturated colors need it.

  6. 6

    Keep Pre-Divide / Post-Multiply enabled for graphics with alpha.

Typical node chain
Source
ACESTransform
Output

Examples

Where this node fits in real work

Camera log to SDR

Convert a camera-log plate to a standard SDR display transform.

MediaInACESTransformColorCorrectorMediaOut

Wide-gamut graphics

Prepare a graphic branch for a managed display output.

Background / Text+ACESTransformMerge

Troubleshooting

Common mistakes

Applying ACESTransform before the image is in the technical state the node expects.
Pushing ACESTransform too far before checking artifacts at full resolution.
Judging ACESTransform on one still frame instead of checking motion and edge behavior.

Production notes

Practical tips

Compare ACESTransform with bypass regularly while tuning it.
Keep ACESTransform and other technical conversions separate from creative grading when possible.
After strong ACESTransform processing, check alpha, highlights and image boundaries.

Related nodes